Thursday, July 21, 2011

Quantum Compass

So apparently new research indicates that a quantum effect known as entaglement is responsible for birds' (and possibly other animals) ability to sense and navigate with earths magnetic feild - the way it works is that differences in the way entagled electrons wobble creates visible patterns on the birds retina that can be used as a compass. I just had to do a drawing about this - how cool!

Thursday, July 14, 2011

Connectomes



Oh yeah and here is the finished version of a piece I posted a while ago... mostly had it on the first go, but just wasn't satisfied so I went back in, redesigned the digital element and did a little more painting.

Wednesday, July 13, 2011

Scientist Sketches

Steven Weinberg
Brian Greene
Paul Davies

Reza Aslan Sam Harris



Walter Sinott-Armstrong


Roger Bingham



So recently my buddy introduced me to this great site called The Science Network. Tons of talks and debates from some prominent modern scientists across a broad spectrum of subjects... there's always something interesting to check out. Anyway, I've been having some fun drawing the faces of the various scientists from the videos... (edit: so Reza Aslan is not a scientist, and the drawings of him and Sam Harris are actually from a debate i saw here (just the first video in a series))

Sunday, January 23, 2011


Been busy; working a lot, attempting to draw and paint as much as possible, and taking a yoga teacher training course that has been extremely interesting. Feel like I've finally found a working process that really actually works for me... Got distracted there for a while, lost in process and my own thoughts. Produced some cool work, but it was taking forever and I spent more time thinking about it than actually doing anything. It didn't resonate.

Decided to start with some subject matter that wasn't so personal, so I chose science. Watched a TED talks video about connectomes, and got this. It happened really naturally, starting with an inspiring sketch in my sketchbook, and moved on to become a final in the process of a day or two. Something just felt right.


Thursday, July 15, 2010



So it's been a while. But I'm back with some (mostly) finished work that I'm pretty jazzed about. These are the finished peices of the sketches I posted months and months ago... they're all cut out paper, painted and layered... it's quite a process, but I'm really happy with the results. Sorry for the crappy pics.

Thursday, February 25, 2010

New Work



Here's a little process shot of my next two pieces... these are final, full size drawings that I am going to now trace out my shapes from, completely paste over with newspaper, gesso and matte medium, and build the faces back over top out of cut out newspaper that has been prepared with the same materials, then to paint over top of that with acrylic paint and matte medium. It's a long and involved process, but one that achieves some interesting results, and I'm pretty sure I can make some stunning work if I really push this as far as it can go.

Experimentation





I've expressed frustration and disappointment with my work in previous posts, particularly with my process. I was unsatisfied both with the results I was getting as well as with the work itself; I wasn't motivated to produce work, but seemed rather to force myself through... to just get it done because it had to be done, not because I was excited to do it. This is partially a result of the pressures of school, and was certainly an important lesson for me to learn. However it is being out of school, away from the pressures and the constant demand for more work, that has taught me the most important lesson, and it is something my teachers had been saying the whole time I was at school. Everybody's approach to art is different. Even in the simplest things, like how you hold a pencil, there is a tremendous variety of possibility. So the important thing is simply to become very proficient at what you do, without worrying too much about "the right way" or "the wrong way"; those things don't really exist. The right way is really whatever works for you, whatever satisfies your creative desires, as well as the constraints of the project you happen to be working on.

In light of this discovery, I have been drawing a lot more, thinking a little less, and just trying to figure out what I like to do, and to get really good at that. And so, here's a little peak at my most recently completed piece. There is no big idea behind this, just a cool drawing from my sketchbook that I turned into one big experimental media piece, working out some of the kinks in a particular process I've been working on. Turned out pretty cool, but I definitely could have planned it a little more thoroughly...